“Whilst working on the sound for a film, a sound engineer can operate the main mixing desk whilst viewing audio monitoring setup on a monitor, or can access the Pro-Tools systems or Dolby RMU settings using the same monitor,” explains Branko Neskov.
“This reduces the number of screens in the dubbing theatre: information is displayed as required rather than always displayed. Individuals can select what they want to see in front of them, rather than interrupt a colleague or to moving to see a different screen, which is not something that is easily done in a confined studio.”